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lies tangled in their throats. Only women die one by one, attempt
ing until the last minute to embody an ideal imposed upon them by
men who want to use them up. O nly women die one by one, smiling up to the last minute, smile of the siren, smile of the coy girl, smile of the madwoman. O nly women die one by one, polished
to perfection or unkempt behind locked doors too desperately
ashamed to cry out. O nly women die one by one, still believing
that if only they had been perfect— perfect wife, mother, or
whore— they would not have come to hate life so much, to find it
so strangely difficult and em pty, themselves so hopelessly confused
and despairing. Women die, mourning not the loss of their own
lives, but their own inexcusable inability to achieve perfection as
men define it for them. Women desperately try to embody a male-
defined feminine ideal because survival depends on it. The ideal,
by definition, turns a woman into a function, deprives her of any
individuality that is self-serving or self-created, not useful to the
male in his scheme of things. This monstrous female quest for
male-defined perfection, so intrinsically hostile to freedom and integrity, leads inevitably to bitterness, paralysis, or death, but like the mirage in the desert, the life-giving oasis that is not there, survival is promised in this conformity and nowhere else.
Like the chameleon, the woman must blend into her environment, never calling attention to the qualities that distinguish her, because to do so would be to attract the predator’s deadly attention. She is, in fact, hunted meat— all the male auteurs, scientists, and homespun philosophers on street corners will say so proudly.
Attempting to strike a bargain, the woman says: I come to you on
your own terms. Her hope is that his murderous attention will
focus on a female who conforms less artfully, less w illingly. In
effect, she ransoms the remains of a life— what is left over after she
has renounced willful individuality— by promising indifference to
the fate of other women. This sexual, sociological, and spiritual
adaptation, which is, in fact, the maiming of all moral capacity, is
the prim ary imperative of survival for women who live under male-
supremacist rule.
*
. . . I gradually came to see that I would have to
stay within the survivor’s own perspective. This will
perhaps bother the historian, with his distrust of
personal evidence; but radical suffering transcends
relativity, and when one survivor’s account of an
event or circumstance is repeated in exactly the same
way by dozens of other survivors, men and women
in different camps, from different nations and cultures, then one comes to trust the validity of such reports and even to question rare departures from
the general view . 2
Terrence Des Pres, The Survivor:
An Anatomy of Life in the Death Camps
The accounts of rape, wife beating, forced childbearing, medical
butchering, sex-motivated murder, forced prostitution, physical
mutilation, sadistic psychological abuse, and the other commonplaces of female experience that are excavated from the past or given by contemporary survivors should leave the heart seared, the
mind in anguish, the conscience in upheaval. But they do not. No
matter how often these stories are told, with whatever clarity or
eloquence, bitterness or sorrow, they might as well have been
whispered in wind or written in sand: they disappear, as if they
were nothing. The tellers and the stories are ignored or ridiculed,
threatened back into silence or destroyed, and the experience of
female suffering is buried in cultural invisibility and contempt. Because women’s testimony is not and cannot be validated by the witness of men who have experienced the same events and given
them the same value, the very reality of abuse sustained by
women, despite its overwhelming pervasiveness and constancy, is
negated. It is negated in the transactions of everyday life, and it is
negated in the history books, left out, and it is negated by those
who claim to care about suffering but are blind to this suffering.
The problem, simply stated, is that one must believe in the exis-
tence of the person in order to recognize the authenticity of her
suffering. Neither men nor women believe in the existence of
women as significant beings. It is impossible to remember as real
the suffering of someone who by definition has no legitimate claim
to dignity or freedom, someone who is in fact viewed as some
thing, an object or an absence. And if a woman, an individual
woman m ultiplied by billions, does not believe in her own discrete
existence and therefore cannot credit the authenticity of her own
suffering, she is erased, canceled out, and the meaning of her life,
whatever it is, whatever it might have been, is lost. This loss cannot be calculated or comprehended. It is vast and awful, and nothing w ill ever make up for it.
No one can bear to live a meaningless life. Women fight for
meaning just as women fight for survival: by attaching themselves
to men and the values honored by men. By committing themselves
to male values, women seek to acquire value. By advocating male
meaning, women seek to acquire meaning. Subservient to male
w ill, women believe that subservience itself is the meaning of a
female life. In this w ay, women, whatever they suffer, do not suffer the anguish of a conscious recognition that, because they are women, they have been robbed of volition and choice, without
which no life can have meaning.
*
The political Right in the United States today makes certain metaphysical and material promises to women that both exploit and quiet some of women’s deepest fears. These fears originate in the
perception that male violence against women is uncontrollable and
unpredictable. Dependent on and subservient to men, women are
always subject to this violence. The Right promises to put enforceable restraints on male aggression, thus sim plifying survival for women— to make the world slightly more habitable, in other
words— by offering the following:
Form. Women experience the world as mystery. Kept ignorant
of technology, economics, most of the practical skills required to
function autonomously, kept ignorant of the real social and sexual
demands made on women, deprived of physical strength, excluded
from forums for the development of intellectual acuity and public
self-confidence, women are lost and mystified by the savage momentum of an ordinary life. Sounds, signs, promises, threats, w ildly crisscross, but what do they mean? The Right offers women
a simple, fixed, predetermined social, biological, and sexual order.
Form conquers chaos. Form banishes confusion. Form gives ignorance a shape, makes it look like something instead of nothing.
Shelter. Women are brought up to maintain a husband’s home
and to believe that women without men are homeless. Women
have a deep fear of being homeless—at the mercy of the elements
and of strange men. The Right claims to protect the home and the
woman’s place in it.
Safety. For women, the world is a very dangerous place. One
wrong move, even an unintentional smile, can bring disaster—assault, shame, disgrace. The Right acknowledges the reali
ty of danger, the validity of fear. The Right then manipulates the fear. The promise is that if a woman is obedient, harm will not befall her.
Rules. Living in a world she has not made and docs not understand, a woman needs rules to know what to do next. If she knows what she is supposed to do, she can find a way to do it. If
she learns the rules by rote, she can perform with apparent effortlessness, which will considerably enhance her chances for survival. The Right, very considerately, tells women the rules of the game on which their lives depend. The Right also promises that,
despite their absolute sovereignty, men too will follow specified
rules.
Love. Love is always crucial in effecting the allegiance of women.
The Right offers women a concept of love based on order and stability, with formal areas of mutual accountability. A woman is loved for fulfilling her female functions: obedience is an expression
of love and so are sexual submission and childbearing. In return,
the man is supposed to be responsible for the material and emotional well-being of the woman. And, increasingly, to redeem the cruel inadequacies of mortal men, the Right offers women the love
of Jesus, beautiful brother, tender lover, compassionate friend, perfect healer of sorrow and resentment, the one male to whom one can submit absolutely— be Woman as it were— without being sexually violated or psychologically abused.
It is important and fascinating, of course, to note that women
never, no matter how deluded or needy or desperate, worship
Jesus as the perfect son. No faith is that blind. There is no religious or cultural palliative to deaden the raw pain of the son’s betrayal of the mother: only her own obedience to the same father,
the sacrifice of her own life on the same cross, her own body nailed
and bleeding, can enable her to accept that her son, like Jesus, has
come to do his Father’s work. Feminist Leah Fritz, in Thinking Like
a W oman, described the excruciating predicament of women who
try to find worth in Christian submission: “Unloved, unrespected,
unnoticed by the Heavenly Father, condescended to by the Son,
and fucked by the Holy Ghost, western woman spends her entire
life trying to please. ” 3
But no matter how hard she tries to please, it is harder still for
her to be pleased. In Bless This House, Anita Bryant describes how
each day she must ask Jesus to “help me love my husband and
children. ”4 In The Total Woman, Marabel Morgan explains that it is
only through God’s power that “we can love and accept others,
including our husbands. ” 5 In The Gift o f In ner H ealing, Ruth Carter
Stapleton counsels a young woman who is in a desperately unhappy marriage: “T ry to spend a little time each day visualizing Jesus coming in the door from work. Then see yourself walking up
to him, embracing him. Say to Jesus, i t ’s good to have you home
N ick. ’” 6
Ruth Carter Stapleton married at nineteen. Describing the early
years of her marriage, she wrote:
After moving four hundred fifty miles from my first family
in order to save my marriage, I found myself in a cold, threatening, unprotected world, or so it seemed to my confused heart. In an effort to avoid total destruction, I indulged in escapes of every kind. . .
A major crisis arose when I discovered I was pregnant with
my first child. I knew that this was supposed to be one of the
crowning moments of womanhood, but not for me.. . . When
my baby was born, I wanted to be a good mother, but I felt
even more trapped.. . . Then three more babies were born in
rapid succession, and each one, so beautiful, terrified me. I did
love them, but by the fourth child I was at the point of total
desperation. 7
Apparently the birth of her fourth child occasioned her surrender
to Jesus. For a time, life seemed worthwhile. Then, a rupture in a
cherished friendship plummeted her into an intolerable depression.
During this period, she jumped out of a moving car in what she
regards as a suicide attempt.
A male religious mentor picked up the pieces. Stapleton took her
own experience of breakdown and recovery and from it shaped a
kind of faith psychotherapy. Nick’s transformation into Jesus has
already been mentioned. A male homosexual, traumatized by an
absent father who never played with him as a child, played baseball with Jesus under Stapleton’s tutelage—a whole nine innings.
In finding Jesus as father and chum, he was healed of the hurt of
an absent father and “cured” of his homosexuality. A woman who
was forcibly raped by her father as a child was encouraged to remember the event, only this time Jesus had his hand on the father’s shoulder and was forgiving him. This enabled the woman to forgive her father too and to be reconciled with men. A woman who as a child was rejected by her father on the occasion of her first
date—the father did not notice her pretty dress—was encouraged
to imagine the presence of Jesus on that fateful night. Jesus loved
her dress and found her very desirable. Stapleton claims that this
devotional therapy, through the power of the Holy Spirit, enables
Jesus to erase damaging memories.
A secular analysis of Stapleton’s own newfound well-being
seems, by contrast, pedestrian. A brilliant woman has found a socially acceptable w ay to use her intellect and compassion in the public domain— the dream of many women. Though fundamentalist male ministers have called her a witch, in typical female fashion Stapleton disclaims responsibility for her own inventiveness and
credits the Holy Spirit, clearly male, thus soothing the savage misogyny of those who cannot bear for any woman to be both seen and heard. Also, having founded an evangelical m inistry that demands constant travel, Stapleton is rarely at home. She has not given birth again.
Marabel Morgan’s description of her own miserable marriage in
the years preceding her discovery of God’s will is best summarized
in this one sentence: “I was helpless and unhappy. ” 8 She describes
years of tension, conflict, boredom, and gloom. She took her fate
into her own hands by asking the not-yet-classic question, What do
men want? Her answer is stunningly accurate: “It is only when a
woman surrenders her life to her husband, reveres and worships
him, and is w illing to serve him, that she becomes really beautiful
to him . ”9 Or, more aphoristically, “A Total Woman caters to her
man’s special quirks, whether it be in salads, sex, or sports. ” 10
Citing God as the authority and submission to Jesus as the model,
Morgan defines love as “unconditional acceptance of [a man] and
his feelings. ” 11
Morgan’s achievement in The Total Woman was to isolate the
basic sexual scenarios of male dominance and female submission
and to formulate a simple set of lessons, a pedagogy, that teaches
women how to act out those scenarios within the context of a
Christian value system: in other words, how to cater to male pornographic fantasies in the name of Jesus Christ. As Morgan explains in her own extraordinary prose style: “That great source
book, the Bible, states, ‘Marriage is honourable in all, and the bed
undefiled. . . ’ In other words, sex is for the marriage relationship
only, but within those bounds, anything goes. Sex is as clean and
pure as eating cottage cheese. ” 12 Morgan’s detailed instructions on
how
to eat cottage cheese, the most famous of which involves
Saran Wrap, make clear that female submission is a delicately balanced commingling of resourcefulness and lack of self-respect. Too little resourcefulness or too much self-respect will doom a woman
to failure as a Total Woman. A submissive nature is the miracle for
which religious women pray.
No one has prayed harder, longer, and with less apparent success than Anita Bryant. She has spent a good part of her life on her knees begging Jesus to forgive her for the sin of existing. In Mine
Eyes Have Seen the G lory, an autobiography first published in 1970,
Bryant described herself as an aggressive, stubborn, bad-tempered
child. Her early childhood was spent in brutal poverty. Through
singing she began earning money when still a child. When she was
very young, her parents divorced, then later remarried. When she
was thirteen, her father abandoned her mother, younger sister, and
herself, her parents were again divorced, and shortly thereafter her
father remarried. At thirteen, “[w]hat stands out most of all in my
memory are my feelings of intense ambition and a relentless drive
to succeed at doing well the thing I loved [singing]. ” 13 She blamed
herself, especially her driving ambition, for the loss of her father.
She did not want to marry. In particular, she did not want to
marry Bob Green. He “won” her through a war of attrition. Every
“No” on her part was taken as a “Yes” by him. When, on several
occasions, she told him that she did not want to see him again, he
simply ignored what she said. Once, when she was making a trip
to see a close male friend whom she described to Green as her
fiance, he booked passage on the same plane and went along. He
hounded her.
Having got his hooks into her, especially knowing how to hit on
her rawest nerve—guilt over the abnormality of her ambition, by
definition unwom anly and potentially satanic— Green manipulated
Bryant w ith a cruelty nearly unmatched in modem love stories.